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Last night, at the 22nd annual Visual Effects Society (VES) Awards held at the prestigious Beverly Hilton in Beverly Hills, California, the ArtFX School of Digital Arts made waves by taking home the coveted award for "Outstanding Visual Effects in a Student Project" for their short film *Silhouette*. This prestigious accolade is awarded annually to recognize exceptional work in visual effects across various mediums.
The story of *Silhouette* revolves around a young protagonist named Claire, who finds herself isolated and living alone in a bustling futuristic metropolis. As her feelings of loneliness intensify, Claire begins to physically fade away from the rain-soaked streets of this advanced urban landscape. The team behind *Silhouette*, comprising students Alexis Lafuente, Antoni Nicolaï, Chloé Stricher, Elliot Dreuille, Baptiste Gueusquin, and Marc Forest, employed Autodesk Maya extensively throughout the production process. From modeling assets and rigging to animation, the software played a pivotal role in bringing this ethereal narrative to life. Additionally, the open-source mGear plug-in for Maya streamlined the rigging workflow, while the AI-powered tool EbSynth was utilized to simulate crowds by interpolating captured footage.
This year's event also celebrated other remarkable student projects in the "Outstanding Visual Effects in a Student Project" category, which has been generously sponsored by Autodesk for the past 16 years. Among these nominees were *Au 8éme Jour*, *L’Animal Sauce Ail*, and *Loup y es-tu?*. Each of these films showcased unique narratives and innovative techniques, further highlighting the burgeoning talent within the global student community.
In *Au 8éme Jour*, a vibrant exploration of ecological balance, viewers are transported to a fantastical world where animals and landscapes are crafted from materials like cloth, thread, and yarn. The film’s creators—Flavie Carin, Agathe Sénéchal, Alicia Massez, and Elise Debruyne from Piktura in France—utilized Autodesk Maya for modeling, rigging, and animation, while rendering was handled by Autodesk Arnold. Meanwhile, *L’Animal Sauce Ail* offers a whimsical yet poignant commentary on humanity’s impact on nature. Produced by Aurélien Duchez, Ysaline Debut, Diane Mazella, and Camille Rostan from Rubika Animation in France, this project also relied on Autodesk Maya and Arnold to bring its imaginative characters and settings to life.
Another standout nominee, *Loup y es-tu?*, tells the poignant tale of Mischa, a young girl in Moscow who creates a violin from papier-mâché to entertain the mythical creatures in her apartment. As the story unfolds, Mischa’s connection with these beings diminishes, symbolizing her growing isolation. The visually striking paper-textured aesthetic of this world was achieved using Autodesk Maya for set dressing, lighting, and shading, complemented by Arnold for final renders. Nominees Célina Lebon, Louise Laurent, Emma Fessart, and Annouck François from Rubika Animation brought this hauntingly beautiful narrative to fruition.
The selection process for VES Awards nominees involved a rigorous evaluation by VES members from 25 countries. Over 39 in-person and virtual events held globally during a continuous 36-hour period ensured a comprehensive review of submissions. Each entry was scrutinized by three separate panels, examining not only the final product but also the "Befores and Afters" to assess the technical and artistic achievements. For more details about the VES Awards and the complete list of winners, visit www.vesglobal.org.
Autodesk continues to empower the next generation of creators by offering free access to powerful tools such as Maya, 3ds Max, Flame, and Arnold. These resources provide invaluable opportunities for students and educators alike to develop essential skills and make meaningful contributions to the world of digital art and visual effects.
June 04, 2025